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Teaching material for experimentation in lessons, ensemble, and private study for all instruments, including play-along CDs (in 415 and 440 Hz). At long last, a method for improvisation in Renaissance and Baroque music that is recommended by leading musicians and teachers, including Michael Schneider and Maurice van Lishout. The book provides an excellent overview - and vividly conveys the paths to "freer" music making - that is helpful not only for specialists, but also for amateurs. German, 148 pagesview first page >>
two fantasias à 5 over "O Welt, ich muss dich lassen" ("Innsbruck, ich muss dich lassen") for 2 cornetts, 2 trombones, basso & organ, edited by Dr. Konrad Ruhland. Two very important pieces of early religious instrumental music in alternative scoring. The piece of Leutkeman is recorded by Musica Antiqua Köln and Reinhard Goebel: CD "Musica Baltica" (DG-Archiv Nr. 459619-2). New edition. Series Laudate Dominum in chordis et organoview first page >>
Gospels for brass quintet and four-part choir (piano ad lib.). Content: Oh, when the Saints, Nobody Knows, Go Down Moses, Gloryland, Deep River, Glory Halleluja. Ernst-Thilo Kalke is the Grand-signeur of the swing scene in Stuttgart. In these arrangements the swinging brass skilful frames choir settings, which are easy to play for both parts. Besides the score for mixed choir we offer also a transposed version for men’s choir. For preparation or performance without brass we offer a version with piano direction also.view first page >>
five Gospels for brass quintet and four-part choir (piano ad lib.). Content: Swing low, sweet chariot, Joshua fit de battle of Jericho, Sometimes I feel like a motherless child and Oh, happy day (Durata: 12'). Ernst-Thilo Kalke is the Grand-signeur of the swing scene in Stuttgart. In these arrangements the swinging brass skilful frames choir settings, which are easy to play for both parts. Besides the score for mixed choir we offer also a transposed version for men’s choir. For preparation or performance without brass we offer a version with piano direction also. Please order separately the additional alternative parts for horn in E flat tenor horn in B flat (instead of horn) and tuba in E flat (EW220a).view first page >>
for soprano (or tenor), mixed choir & brass quintet (alternative for horn: 3 trumpet in B flat) (Durata: 9'). The first performance of this easy piece took place in Stuttgart in May 2003 and was a great success.view first page >>
Christmas fantasia for brass quintet and four-part choir (Durata: 10') using the Pastorale (Corelli), Vom Himmel hoch da komm ich her, Kommet ihr Hirten, Leise rieselt der Schnee and Stille Nacht. A solemn brass sound (alternative parts for horn: trumpet, trombone) accompanies simple choir settings. We also offer a transposed version for men’s choir. Degree of difficulty: easy; trombone choir. view first page >>
for 2 instrumental choirs (volins/cornetti, trombones) à 4 from "Motetti a dua, & trè voci ..., op. 2" (Caterina Assandra, Mailand, 1609) as well as "Sacrarum cantionum ..." (Venedig, 1618), edited by Candace Smith and Bruce Dickey. Artemisia Editionsview first page >>
for 2 trumpets & 4 trombones, edited by Johann Plietzsch. The music of the Bohemian composer, who worked mainly in Austria and Czechia, is as mysterious as the title of the work. Rittler, who’s a friend of Vejvanovsky, combines in this piece the secular with the sacral principle which is represented by the antipoles of trumpets and trombones. First edition. Series Monarca della Tromba - Musik der Fürstenhöfeview first page >>
for 2 Cornettini (2 violins), Clarino (trumpet), 3 trombones (viols) & b. c. using the choral "Allein Gott in der Höh’ sei Ehr’". The source of this charming piece was found on the backside of the manuscript of Rittler’s Mummum in the library of Kremsier. First edition. Series Monarca della Tromba - Musik der Fürstenhöfeview first page >>
for 2 cornetts, 4 trombones & b. c. New edition after the first print from 1616 edited by Dr. Konrad Ruhland. This six-part sonata da chiesa is related to the sonatas of Giovanni Gabrieli and is considered as the oldest church sonata which was passed down. Series with sacred instrumental music Laudate Dominum in chordis et organoview first page >>
