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Brass for 7 & 8

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Martin Erhardt (*1983): Improvisation mit Ostinatobässen (16.-18. Jh.)
 

Teaching material for experimentation in lessons, ensemble, and private study for all instruments, including play-along CDs (in 415 and 440 Hz). At long last, a method for improvisation in Renaissance and Baroque music that is recommended by leading musicians and teachers, including Michael Schneider and Maurice van Lishout. The book provides an excellent overview - and vividly conveys the paths to "freer" music making - that is helpful not only for specialists, but also for amateurs. German, 148 pages

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Wilhelm Kempff (1895-1991): Te Deum op. 26
 

for choir, brass (4 trumpets, 4 trombones), timpani & organ from 1925/26, after the autograph edited by Hans Peter Eisenmann (Durata: 25'). The now for the first time printed sacred music and piano songs of the world-famous pianist Wilhelm Kempff are a real enrichment. Kempff got ahead as a great composer and organist in his youth. But later this wasn’t kept in mind in favour of the piano playing of Kempff. The Te Deum was composed for the very famous Berliner Singakademie and was performed frequently.

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Pavel Joseph Vejvanovsky (~1640-1693): Sonata Sancti Mauritii
 

für 2 trumpets, 2 violins, 3 viols (or 3 tromones) & b. c., revised edition, edited by Dr. Konrad Ruhland. So far only in an incomplete edition in France available the sonata is now for the first time published in its entire length including the up to now missing 40 bars. The use of damper in this Sonata is unique for the baroque period. First edition. Series with sacred instrumental music Laudate Dominum in chordis et organo

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Georg Friedrich Händel (1685-1759): Chaconne Nr. 5
 

for organ solo, 3 trumpets, horn, 2 trombones & tuba (with many alternative parts), arranged for 2 brass choirs & organ by Burghardt Zitzmann (Durata: 4’). Degree of difficulty: easy. The piece is also suitable for trombone choirs. Series Organ & Brass

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