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Martin Erhardt (*1983): Improvisation mit Ostinatobässen (16.-18. Jh.)
 

Teaching material for experimentation in lessons, ensemble, and private study for all instruments, including play-along CDs (in 415 and 440 Hz). At long last, a method for improvisation in Renaissance and Baroque music that is recommended by leading musicians and teachers, including Michael Schneider and Maurice van Lishout. The book provides an excellent overview - and vividly conveys the paths to "freer" music making - that is helpful not only for specialists, but also for amateurs. German, 148 pages

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Wendelin Hueber (Huber) (Kremsier 17th century): Sonaten I-VII
 

for 2 violins, 4 viols & b. c., edited by Dr. Konrad Ruhland. The sonatas of Vienna's Hofkapellmeister are hitherto unknown. They are kept in Kremsier and show particular quality. First edition in three volumes: Sonata I-III for 2 violins, 4 viols & b. c. (EW773), Sonata IV for 2 violins, 2 cornetti (recorder), 2 trombones (gambas) & b. c. (EW776), Sonata V-VII for 2 violins, 4 viols & b. c. (EW784). Series Musica Speciosa

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Vinco Jelic (1596-1636): Vier Ricercare
 

for cornett (or violin), trombone (or viola da gamba) & b. c., edited by Dr. Konrad Ruhland. In his opus primum Parannia Militia, Strasbourg 1622 (mostly sacred concertos) we will find this four Ricercare for cornetto and trombone without basso continuo. Some years ago the editor found in the "Stadt- und Universtitätsbibliothek Frankfurt/Main" a continuo part to this music. There are written also the alternative parts for violin and viola da gamba. Series Monarca della Tromba - Musik der Fürstenhöfe

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Giulio Mussi (Venedig 1620): Il primo Libro delle Canzoni
 

16 Canzonas for 2 instruments (violin/cornett/recorder, viola da gamba/violoncello/bassoon/trombone) & b. c. Sonorous Venetian music of the early baroque period. Reprint of the first edition. Series Musica Speciosa

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Benedetto Re (? Pavia 1606): Canzone francese ā 4 & Canzone detta La Landriana ā 4
 

for 2 instrumental choirs (volins/cornetti/flauti, viols/bassoons/trombones) ā 4 from "Motetti a dua, & trč voci ..., op. 2" (Caterina Assandra, Mailand, 1609) as well as "Sacrarum cantionum ..." (Venedig, 1618), edited by Candace Smith and Bruce Dickey. Artemisia Editions

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Giovan Battista Riccio (16.-17. Jh.): Canzonen und Sonaten
 

The complete instrumental works of Il Terzo Libro delle divine lodi musicali (Venice, 1620) in three volumes, edited by Jolando Scarpa. The three volumes are suitable for recorders, cornetts, violins, viols, dulcians, and trombones. Complete edition Il Terzo libro: Volume I: Canzoni a una, Canzona a 3 voci (La Rubina) - Volume II: Canzoni a due voci (La Finetta, La Savoldi, Canzon in Ecco con il Tremolo La Pichi, La Rizza, La Grileta, Canzon con il Tremolo La Grimaneta) - Volume III: Canzoni a quattro voci (Canzon in Ecco con La Moceniga, La Zaneta, La Rosignola in Ecco, Sonata a 4)

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Matthias Spiegler (~1595-1631): Canzonas ā 2 & ā 3
 

for 1-2 cornetti (or violin/s), bassoon (or trombone/viola da gamba) & b. c. from "Olor Solymaeus, Nascenti Jesu" (Ravensburg 1631), edited by Dr. Konrad Ruhland. First edition in two volumes. Series Laudate Dominum in chordis et organo. Volume I contains two Canzonas ā 2 in A minor and D minor, volume II contains a Canzona ā 3 in C major and a Capriccio ā 3 in D minor.

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Stefano Bernardi (1577-1637): Sinfonia quinta concertata "All’ Epistola"
 

for 2 violins (2 cornetts), 4 gambas (4 trombones) & b. c. New edition after the first print from 1616 edited by Dr. Konrad Ruhland. This six-part sonata da chiesa is related to the sonatas of Giovanni Gabrieli and is considered as the oldest church sonata which was passed down. The piece is also suitable for 2 cornetts and 4 trombones. Series with sacred instrumental music Laudate Dominum in chordis et organo.

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Andrea Cima (Mailand 1610): Capriccio ā due & Codex Caioni/Anonymus: Sonata Super "Surge Propera amica mea"
 

for violin (or cornett), viola da gamba (or trombone) & b. c., edited by Dr. Konrad Ruhland. Both of them are magnificent chamber music pieces of the early 17th century. First edition. Series Laudate Dominum in chordis et organo

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Christian Hollander (~1668) & Paul Luetkeman (~1611): O Welt, ich muss dich lassen
 

two fantasias ā 5 over "O Welt, ich muss dich lassen" ("Innsbruck, ich muß dich lassen") for 2 violins (recorders/cornetti), 2 viols (bassoons/trombones), basso & organ, edited by Dr. Konrad Ruhland. The piece of Leutkeman is recorded by Musica Antiqua Köln, directed by Reinhard Goebel: CD "Musica Baltica" (DG-Archiv Nr. 459619-2). New edition. Series Laudate Dominum in chordis et organo

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