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Martin Erhardt (*1983): Improvisation mit Ostinatobässen (16.-18. Jh.)
 

Teaching material for experimentation in lessons, ensemble, and private study for all instruments, including play-along CDs (in 415 and 440 Hz). At long last, a method for improvisation in Renaissance and Baroque music that is recommended by leading musicians and teachers, including Michael Schneider and Maurice van Lishout. The book provides an excellent overview - and vividly conveys the paths to "freer" music making - that is helpful not only for specialists, but also for amateurs. German, 148 pages

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Giovanni Battista Ferrandini (1710-1791): O Spettacolo pur troppo funesto
 

Cantata sacra for soprano, 2 viols da gamba, lute & organ, edited by Michael Dücker. Ferrandinis piece (Durata: 25') is composed for the Good Friday with an obbligato lute and a virtuoso accompaniment of the gambas. First edition. Series Collegium Musicum - Kölner Reihe Alter Musik.

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Pablo Daniel García (*1963): Buenos Aires Rítmico
 

for violin & guitar (Durata: 4'). Two rhythms the Argentine Milona and the Candombe from Uruguay are the focus of this spirited piece of music.

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Robert Jones (1597-1615): Twenty-one Lute Songs or Duets
 

for soprano, bass & lute from "The second Booke o Songs and Ayres" 1601, edited by Cedric Lee. Green Man Press

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Luis Milán (~1500-1561): Libro de Música de vihuela de mano intitulado "El Maestro"
 

famous collection of fantasias for Vihuela, partly with voice, edited by Gerardo Arriaga. Now as multicolour facsimile available. Sociedad de la Vihuela

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John Dowland (?1563-1626): Eight Lute Songs or Duets
 

8 songs and duets for soprano, bass, lute and gamba from "The second Booke o Songs and Ayres" 1600, edited by Cedric Lee. Green Man Press

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Copyright (c) by Edition Walhall, Verlag Franz Biersack, Magdeburg