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for harpsichord (or other instruments), WKO 141-146, new edition by Michael O’Loghlin and also published as Facsimile, edited by Leonore and Günter von Zadow. Degree of difficulty: medium. The piece is well suited for education. Abel dedicated this music also for clavier solo, alto or discant gamba, violin or flute. Separate edition for flute: G078, G079. Edition Güntersbergview first page >>
for three pianos/harpsichords. First Edition. Edited by the harpsichord class of the Folkwang University of the Arts, Essen, and Christian Rieger. Beecke is a greatly underestimated composer. The present sonata is a very successful piece written in 1785. view first page >>
in A Major and B-flat Major for piano. First Edition. Edited by the harpsichord class of the Folkwang University of the Arts, Essen, and Christian Rieger. Beecke was director of the court music establishment in Oettingen-Wallerstein, and maintained amicable contacts to Jomelli, Dittersdorf, and Gluck. Beecke met Mozart a total of four times, and performed piano duets with him in 1790.view first page >>
for organ (or harpsichord), edited by Jolando Scarpa. A unique Neapolitan manuscript collection with works by Ansalone, Cimino, Frescobaldi, Macque, Pasquini (Ercole, even more important than his brother), and others. Unusual titles, movement names, and commentaries make these examples of southern Italian music - with a number of short canzonas, organ Masses, and toccatas - so remarkable. Hitherto unpublished. Only W. Appel discussed the pieces copied by Cimino as well as Cimino's own compositions in his 1962 bibliography. First edition in 4 Volumes, series Frutti Musicaliview first page >>
Collection of pieces for harpsichord. Further works of Armand-Louis Couperin: Six Sonatas for Violin & Harpsichord in three Volumes, Collection Thierry Mathis, 2 Volumes (revised edition, 2000)view first page >>
for piano, violin & violoncello, first edition according to the autograph, edited by Brit Reipsch. Brilliant romantic chamber music from 1876/77 (Durata: 25’).view first page >>
Gárdonyi was only 19 years old when he composed this piano cycle (Durata: 12') of medium difficulty and up to now it hasn’t lost any of its colour and freshness. By now the works of the professor from Würzburg/Germany are played in the international concert repertoire. view first page >>
for harpsichord (or 3 recorders or gambas) & b. c., edited by Vince Kelly. Facsimile of the editions from 1620 and 1648 as well as new edition for different instrumentation, parts on CD-ROM. CCBN Publicationsview first page >>
for piano, edited by Jolando Scarpa. Giustini was active as an organist in Pistoia, and wrote the first sonatas specifically composed for the piano. The collection was the first to include precise dynamic markings, and is of astonishing vitality. Urtext edition, series Frutti Musicali view first page >>
for harpsichord, HWV 577 (Fantasia I), edited as new edition by Graham Pont and Günter von Zadow. The twelve Fantasias appear to be a selection of Handel's Italianate improvisations. Edition Güntersbergview first page >>
