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Johann Caspar Ferdinand Fischer (1656-1746): Journal du Printems
 

Suite No. 1 in C major & Suite No. 2 in A minor (Durata: 27’) eight (orchestra) suites, FWV 1-8, for Dessus (1. violin/oboe/flute), Hautecontre (2. violin/oboe), Taille (1. viola/gamba), Quinte (2. viola/gamba), Basse (gamba/violoncello/bassoon) & b. c., edited by Hans Peter Eisenmann. Suites No. 1 and 8 have got 2 trumpets ad lib. One of the best German suits with a French influence. Chamber orchestras should order the set: 3-3-3-3-2, harpsichord.

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Johann Caspar Ferdinand Fischer (1656-1746): Journal du Printems
 

Suite No. 3 in B major & Suite No. 4 in D minor (Durata: 24’) eight (orchestra) suites, FWV 1-8, for Dessus (1.violin/oboe/flute), Hautecontre (2. violin/oboe), Taille (1.viola/gamba), Quinte (2. viola/gamba), Basse (gamba/violoncello/bassoon) & b. c., edited by Hans Peter Eisenmann. One of the best German suits with a French influence. Chamber orchestras should order the set: 3-3-3-3-2, harpsichord.

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Johann Caspar Ferdinand Fischer (1656-1746): Journal du Printems
 

Suite No. 5 in G major & Suite No. 6 in F major (Durata: 24’) eight (orchestra) suites, FWV 1-8, for Dessus (1.violin/oboe/flute), Hautecontre (2. violin/oboe), Taille (1.viola/gamba), Quinte (2. viola/gamba), Basse (gamba/violoncello/bassoon) & b. c., edited by Hans Peter Eisenmann. One of the best German suits with a French influence. Chamber orchestras should order the set: 3-3-3-3-2, harpsichord.

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Johann Caspar Ferdinand Fischer (1656-1746): Journal du Printems
 

Suite No. 7 in G dorian & Suite No. 8 in C major (Durata: 29’) eight (orchestra) suites, FWV 1-8, for Dessus (1. violin/oboe/flute), Hautecontre (2. violin/oboe), Taille (1. viola/gamba), Quinte (2. viola/gamba), Basse (gamba/violoncello/bassoon) & b. c., edited by Hans Peter Eisenmann. Suites No. 1 and 8 have got 2 trumpets ad lib. One of the best German suits with a French influence. Chamber orchestras should order the set: 3-3-3-3-2, harpsichord.

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Zoltán Gárdonyi (1906-1986): Drei Bilder zur Karwoche
 

three pictures for the Holy Week for organ & strings (Durata: 12’). The three movements "Der Gang an den Ölberg", "Gethsemane" and "Golgatha" were composed in 1966. Zoltán Gárdonyi was professor from 1941-1967 at the Budapest Academy of Music and former student of Paul Hindemith and Zoltán Kodály. The set of parts contains: organ, strings: 3-3-2-1-1. Please order additional parts separately (EW 219a).

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Zoltán Gárdonyi (1906-1986): Lobgesang nach Psalm 45
 

for mixed choir, string orchestra & organ (Durata: 10’). This solemn Psalm cantata has an easy choir part and is very good applicable in the liturgy. First edition from the estate of the important student of Zoltán Kodály and Paul Hindemith. We offer also a version for choir & organ (EW287).

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Zoltán Gárdonyi (1906-1986): Serenade Nr. 2
 

for string orchestra (Durata: 22') composed in 1957. Enrichment for all ensembles which are looking for undiscovered, late romantic expressive rarities of the 20th century. You are welcome to order a score for inspection. Set of parts: organ, strings: 5-4-3-2-2. Please order additional parts seperately.

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Christoph Graupner (1683-1760): Sinfonia I in G
 

WKV 607 for 2 viols solo, 2 horns, 2 violins, viola & b. c., edited by Andreas Kohn. In time for the anniversary of Graupner we present 4 double concertos for 2 viols concertante and chamber orchestra. First edition. Series Collegium Musicum - Kölner Reihe Alter Musik

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Christoph Graupner: Sinfonia II in G
 

WKV 608 for 2 viols solo, 2 horns, 2 violins, viola & b. c., edited by Andreas Kohn. First edition. Series Collegium Musicum - Kölner Reihe Alter Musik

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Christoph Graupner: Sinfonia III in F
 

WKV 574 for 2 viols solo, 2 horns, 2 violins, viola & b. c., edited by Andreas Kohn. First edition. Series Collegium Musicum - Kölner Reihe Alter Musik

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