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Martin Erhardt (*1983): Improvisation mit Ostinatobässen (16.-18. Jh.)
 

Teaching material for experimentation in lessons, ensemble, and private study for all instruments, including play-along CDs (in 415 and 440 Hz). At long last, a method for improvisation in Renaissance and Baroque music that is recommended by leading musicians and teachers, including Michael Schneider and Maurice van Lishout. The book provides an excellent overview - and vividly conveys the paths to "freer" music making - that is helpful not only for specialists, but also for amateurs. German, 148 pages

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Zoltán Gárdonyi (1906-1986): Sonate "Il serioso ed il giocoso"
 

for double bass & piano (Durata: 12’). Zoltán Gárdonyi was professor from 1941-1967 at the Budapest Academie of Music and former student of Paul Hindemith and Zoltán Kodály. The piece was composed in 1957 - beautiful late romantic music.

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Thomas Lupo (1571-1627): Fantasia
 

edited for 3 bass gambas (or 3 bass instruments) by Vince Kelly. CCBN Publications

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Erwin Nerling (*1935): Melodische Etüden
 

melodic etudes for double bass from the half to the 7th position. Erwin Nerling was double bass player at the Gewandhausorchester Leipzig from 1960-1999. 33 elegant technical studies with musical inspiration.

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Henry Eccles (*1675-85, #1735-45): Sonata XI G minor
 

transcription for double bass & b. c. (orchestra and solo intonation), edited by Sven Rössel. Urtext edition with facsimile. Series Collegium Musicum - Kölner Reihe Alter Musik

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Copyright (c) by Edition Walhall, Verlag Franz Biersack, Magdeburg