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Viola & Viola da gamba

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Home --> Strings --> Viola & Viola da gamba

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Georg Philipp Telemann (1681-1767): Sonata E-Dur
 

for violin, viola da gamba & b. c., TWV 42: E6, edited by Leonore and Günter von Zadow. Long out of print, this sonata, which survives only as a copy in the Landesbibliothek Darmstadt, is available again in a new edition that is faithful to the original. Edition Güntersberg

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Clemens Thieme (1631-1668): Sonata à 5 Viole
 

2 sonatas for five-part consort & b. c., first edition, edited by Leonore and Günter von Zadow. Clemens Thieme was a member of the courts in Dresden and Zeitz. Edition Güntersberg

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Clemens Thieme (1631-1668): Sonata à 6
 

2 sonatas for six-part consort & b. c., first edition, edited by Leonore and Günter von Zadow. Edition Güntersberg

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Christopher Tye (~1505-1572/73): Omnes Gentes Plaudite a 5
 

Psalm 46 for 5 voices (or recorders/gambas) from Och Mss 984-88, edited by Vince Kelly. It's suitable for both instrumental and vocal ensemble. CCBN Publications

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Ludovico Grosso da Viadana (~1560-1627): O Bone Jesu
 

for male voice, 2 viols da gambe (or trombones) & b. c., new edition by Dr. Konrad Ruhland. Viadanas famous opus Centi Concerti Ecclesiastici was printed 1602 in Venice. From this we took the concerto O Bone Jesu which is perfect suitable for a bass baritone. Series Collection Monarca della Tromba - Musik der Fürstenhöfe

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Tomas Luis de Victoria (1548-1611): Motette O Quam Gloriosum
 

for 4 voices (SATB) (or gambas or recorder) from In Festso Omnium Sanctorum ... (1585), edited by Vince Kelly. The piece can be performed with instruments as well as voices. CCBN Publications

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Giovanni Battista Vitali (1632-1692): La Saffatelli and Capriccio detto il Molza
 

2 sonatas for four-part consort & b. c., from opus V (Bologna 1669), edited by Leonore and Günter von Zadow. The sonatas are written for the family of the violins, but the pieces are also suitable for gambas or wind instruments. Edition Güntersberg

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Giovanni Battista Vitali (1632-1692): La Scalabrina
 

sonata for five-part consort & b. c. from opus V (Bologna 1669), score and set of 5 parts, edited by Leonore and Günter von Zadow. The sonata is written for the family of the violins, but the piece is also suitable for gambas or wind instruments. Edition Güntersberg

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Thomas Weelkes (1576-1623): Hosanna to the Son of David Anthem a 6 (SSATBB)
 

for 6 voices/choir (or recorders or gambas) & b. c., edited by Vince Kelly. This well known sacred piece is suitable for both, vocal and instrumental ensemble. CCBN Publications

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William Young (~1625-1662): Divisions in g "sopra la Monica"
 

for viola da gamba & b. c., edited as first edition by Simone Eckert. The tune "la Monica," also known as the melody of the chorale "From God shall naught divide me," frequently served as the basis of compositions in the seventeenth century. William Young is considered one of the most important English composers before Henry Purcell. CD recording by the "Hamburger Ratsmusik" (cpo 777-569-2). Series Hamburger Ratsmusik

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