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for bass [F-d'], 2 violins & b. c., edited by Dr. Konrad Ruhland. Mazak mainly worked at the Cistercian-abbey Heiligenkreuz near Vienna. He is regarded as the "Austrian Monteverdi". First edition. Series Musica Speciosaview first page >>
Pastorella for tenor [d-e'], 2 violins & b. c., edited by Dr. Konrad Ruhland. First edition. Christmas series Puer Natus in Bethlehem view first page >>
for bass [G-d’], trumpet, violin & b. c., edited as new edition by Dr. Konrad Ruhland. Meder mainly worked in northern Germany, Danzig and Denmark. His sacred music is mostly influenced by Buxtehude. Series Collection Monarca della Tromba - Musik der Fürstenhöfeview first page >>
for soprano, trumpet & b. c., edited by Hanry Moderlak (Durata: 8’). Melani worked in Rome and this aria is a very good alternative to the frequently played arias of Scarlatti. Series Monarca della Tromba - Musik der Fürstenhöfeview first page >>
Cantata No. 3 from the Third Volume of Cantatas for soprano, violin (or flute), viola da gamba & b. c., edited by Cedric Lee. Green Man Pressview first page >>
Cantata No. 8 from the 3rd volume of cantatas, for soprano [e' (c')-g''], violin (or flute) & b. c., edited by Cedric Lee. Green Man Press view first page >>
Cantata no. 4 from the second volume of cantatas for soprano, violin (or flute, or oboe), viola da gamba, & b. c., edited by Cedric Lee. Green Man Pressview first page >>
from "Scherzi Musicali" for soprano [g'- g''], 2 violins & b. c., edited after an idea of Hugo Riemann as a suite for strings with an option for a singer by Dr. Konrad Ruhland. Series Musica Speciosaview first page >>
from the opera "Il Bellerofonte" (1767), for soprano, horn & cembalo (or piano/organ), edited by Peter Schmalfuss (Durata: 15’). The piano score is in Italian and with horn ad lib. view first page >>
sacred concerto for tenor, five string instruments & b. c., edited by Johannes Weiss. First edition, Edition Güntersberg view first page >>
