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French Cantata for soprano, bass & b. c., edited by Cedric Lee. Around 1703 Bernier was one of the first composers which used the so called French style. This work is included in Bernier’s second collection of Cantatas. Green Man Pressview first page >>
from Amphion Anglicus, 1700 for soprano [d’-g’’], bass [G(D)-d’(e’)], 2 violins & b. c., edited by Cedric Lee. Green Man Press view first page >>
"Resonet" sacred concert for contralto (or tenor), tenor, 2 violins (or 2 recorders) & b. c., edited by Dr. Konrad Ruhland. First edition. Christmas series Puer Natus in Bethlehem (CD: SK 66242 Sony-Vivarte)view first page >>
Chiaccona for 2 sopranos [c’-g’’], 6 gambas & b. c., BuxWV 69, edited by Leonore and Günter von Zadow; preface by Anette Otterstedt. Edition Güntersbergview first page >>
Funeral music for soprano [b-g’’], bass [A-b] & strings, BuxWV 76, edited by Leonore and Günter von Zadow, preface by Anette Otterstedt. Facsimile and New edition. Edition Güntersbergview first page >>
for 2 sopranos, bass & b. c., edited by Simon Hanks. Green Man Press view first page >>
8 songs and duets for soprano, bass, lute and gamba from "The second Booke o Songs and Ayres" 1600, edited by Cedric Lee. Green Man Press view first page >>
for soprano, bass, 3 recorders & b. c. from "Don Quixote", edited by Cedric Lee. Green Man Pressview first page >>
Motet for 2 tenors & b. c. (Venice 1637), edited by Jolando Scarpa. Alessandro Grandi is considered as the most skilled composer of northern Italy besides Monteverdi. Series Voce divinaview first page >>
three Motets for 2 sopranos (or tenors), 2 violins & b. c. (Venice 1637), edited by Jolando Scarpa. Alessandro Grandi is considered as the most skilled composer of northern Italy besides Monteverdi. The collection includes the motets: Bone Jesu Verbum Patris, Laetantes concinunt Angelorum turbae, and Benedictus es Domine (only with b. c. accompaniment). Series Voce divinaview first page >>