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Johann Rudolph Ahle (1625-1673): Seht Euch für
 

Sacred concerto for soprano, alto, tenor, 4 string instruments (or 4 recorders) & b. c., edited by Dr. Konrad Ruhland. Ahle was born and worked in Mühlhausen/Thüringen. He was one of the most important representatives of the so called "mitteldeutschen Cantorenmusik". "Seht Euch für" is a real rarity, because the voices are accompanied by a recorder ensemble (or "4 flauti o violin") which is very uncommon for non Christmas music at the time of Ahle. "Seht Euch für" is recorded by Masaaki Suzuki and the Bach-Orchestra Japan (Label BIS/Sweden).

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Antonio Bertali (1605-1669): Laudate Dominum (Ps. 116)
 

for soprano, contralto, bass, 2 violins & b. c., edited by Dr. Konrad Ruhland. Bertali was born in Verona and received his early music education there. Later he was employed as court musician in Vienna by Ferdinand II and was one of the greatest composers in the 17th century. First edition. Series Musica Speciosa

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John Blow: (1649-1708): Septimnius and Acme
 

from The Theater of Music, 1685, für 2 sopranos, bass, 2 violins & b. c., edited by Cedric Lee. Green Man Press

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John Blow (1649-1708): Sing, sing ye Muses
 

from Amphion Anglicus (1700), for soprano, contralto, tenor, bass, 2 violins & b. c., edited by Cedric Lee. Green Man Press

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Anton Bruckner (1824-1896): Locus Iste (SATB)
 

Graduale for 4 recorders (or 4 voices), transcribed by Vince Kelly. It’s suitable for both: instrumental or vocal ensembles. CCBN Publications

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Anton Bruckner (1824-1896): Os Justi (SATB)
 

Graduale for 4 voices (or gambas/recorders), arranged by Vince Kelly. It’s suitable for both: instrumental or vocal ensembles. Pleasant surprise: Bruckner for recorder or viols da gamba quartet - pure melodiousness! CCBN Publications

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Dieterich Buxtehude (1637-1707): Missa alla brevis
 

for 5 voices (SSATB) or choir & b. c., BuxWV 114, edited by Leonore and Günter von Zadow, preface by Gunther Morche. On examination this "Lutheran short mass" displays its rather instrumental than vocal concept and therefore it offers a wide range of performance opportunities. Choral scores are also available (G137). Edition Güntersberg

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William Byrd (1543-1623): Ave Verum Corpus
 

Motet for 4 voices (or recorders or gambas) from "Gradualia" book I (1610), edited by Vince Kelly. New edition and facsimile; it's suitable for both: instrumental or vocal ensembles. CCBN Publications

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William Byrd (1543-1623): Christ rising & Christ is Risen Againe (SATTTB)
 

two Motets for Easter for 6 voices (6 recorders or 6 gambas) from "Songs of sundrie natures" 1589, edited by Vince Kelly. It's suitable for both: instrumental or vocal ensembles. CCBN Publications

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William Byrd (1543-1623): O God Give Eare (ATTTB)
 

for 5 voices (or recorders or gambas) from "Psalmes, Sonets & Songs ..." (1588), edited by Vince Kelly. It’s suitable for both: instrumental or vocal ensembles. CCBN Publications

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Copyright (c) by Edition Walhall, Verlag Franz Biersack, Magdeburg