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Home --> Voice(s) & Choir --> Choir

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Giulio C. Arresti (1625-~1704): Ad cantus & O fulgorem
 

from "Messe a tre voci ..." (op. 2, Venice and Modena, 1663) for voices & b. c., edited by Candace Smith and Bruce Dickey. Both works are published in the original version for mixed choir as well as in the Convent-version for female voices. Artemisia Editions

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Adriano Banchieri (1568-1634): Drei Motetten
 

three motets Lętamini et exultate ą 4, Gaudeamus omnes ą 5, and Beata es tu ą 8 from "Messa solenne a otto voci ..." (Venice, 1599) for voices & b. c., edited by Candace Smith and Bruce Dickey. The works are published in the original version for mixed choir as well as in the Convent-version for female voices. Artemisia Editions

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Dieterich Buxtehude (1637-1707): Missa alla brevis
 

for 5 voices (SSATB) or choir & b. c., Bux WV 114, edited by Leonore and Günter von Zadow, preface by Gunther Morche. This mass is also suitable for instrumental ensembles. Separate choir parts are available under G137. Edition Güntersberg


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Sulpita Cesis (1577-?): Motetti Spirituali I
 

Motets for 2-6 voices, Volume I (Modena, 1619) for voices & b. c., edited by Candace Smith and Bruce Dickey. The works are published in the original version for mixed choir as well as in the Convent-version for female voices. Artemisia Editions

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Sulpita Cesis (1577-?): Motetti Spirituali IV
 

five Motets (Modena, 1619) for 8-12 voices & b. c., edited by Candace Smith and Bruce Dickey. The works are published in the original version for mixed choir as well as in the Convent-version for female voices. Artemisia Editions

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Sulpita Cesis (1577-?): Motetti Spirituali II
 

six motets for 8 voices, Volume IIfor voices & b. c., edited by Candace Smith and Bruce Dickey. The works are published in the original version for mixed choir as well as in the Convent-version for female voices. Artemisia Editions


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Sulpita Cesis (1577-?): Motetti Spirituali III
 

five motets for 8 voices, Volume IIIfor voices & b. c., edited by Candace Smith and Bruce Dickey. The works are published in the original version for mixed choir as well as in the Convent-version for female voices. Artemisia Editions



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Chiara Margarita Cozzolani (1602-~1677): Beatus vir qui timet Dominum
 

music for vespers ą 8 from "Salmi a otto voci concertati ..." (Venice, 1650) for voices & b. c., edited by Candace Smith and Bruce Dickey. The work is published in the original version for mixed choir as well as in the Convent-version for female voices. Artemisia Editions

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Chiara Margarita Cozzolani (1602-~1677): Confitebor tibi Domine
 

music for vespers ą 8 from "Salmi a otto voci concertati ..." (Venice, 1650) for voices & b. c., edited by Candace Smith and Bruce Dickey. The work is published in the original version for mixed choir as well as in the Convent-version for female voices. Artemisia Editions

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Chiara Margarita Cozzolani (1602-~1677): Dixit Dominus
 

music for vespers ą 8 from "Salmi a otto voci concertati ..." (Venice, 1650) for voices & b. c., edited by Candace Smith and Bruce Dickey. The work is published in the original version for mixed choir as well as in the Convent-version for female voices. Artemisia Editions

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