6 chorals from the cantatas: "Wo Gott der Herr nicht bei uns hält", "Kommt her zu mir spricht Gottes Sohn", "Was mein Gott will das gescheh allzeit", "Christ lag in Todesbanden" and "Wie schön leuchtet der Morgenstern" - transcribed for bassoon & organ by Hans Peter Eisenmann. 8 further solo parts are enclosed.

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for 2 bassoons (or 2 bass gambas) from Douziéme Livre 1725, edited by Vince Kelly. Urtext edition. CCBN Publications

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for 2 violins, bassoon (or violone) & b. c., edited by Christian Zincke. Interesting chamber music after the source of the "Herzog-August-Bibliothek Wolfenbüttel". Series Collegium Musicum - Kölner Reihe Alter Musik

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for 2 violins, viola da gamba & violone (or bassoon), edited by Christian Zincke. First edition, Series Collegium Musicum - Kölner Reihe Alter Musik

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for 2 violins, violone (or bassoon) & b. c., edited by Dr. Konrad Ruhland. This sonata per la chiesa was written by the son of H. I. F. Biber. Since 1743 Carl Biber was Hofkapellmeister in Salzburg. First edition. Christmas series Puer natus in Bethlehem

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for 5 bassoons (or violoncellos/gambas) or 4/5 instruments & b. c., edited by Vince Kelly. Originally for five transverse flutes (or other instruments!), this transcription adheres very closely to the Urtext. CCBN Publications

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six Consort-suites for 2 oboes, bassoon, strings & b. c. (Stuttgart 1700), edited as Urtext-edition by Michael Robertson. During his time as "Württembergischer Hofkapellmeister" in Stuttgart Cousser published three important collections of French dance music in the style of Lully. Series Collegium Musicum - Kölner Reihe Alter Musik

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for violino piccolo and bassoon concertato, violin, 2 viols, basse de violon & b. c., edited by Dr. Konrad Ruhland. First edition. Score & parts. Series Musica Speciosa

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Teaching material for experimentation in lessons, ensemble, and private study for all instruments, including play-along CDs (in 415 and 440 Hz). At long last, a method for improvisation in Renaissance and Baroque music that is recommended by leading musicians and teachers, including Michael Schneider and Maurice van Lishout. The book provides an excellent overview - and vividly conveys the paths to "freer" music making - that is helpful not only for specialists, but also for amateurs. German, 148 pages

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for bassoon & piano (Durata: 5‘). This music comprises elements from Jazz as well as impressionistic style. It’s from the stage music "Der Leiterwagen". This piece is adequate for the competition "Jugend Musiziert" but it might as well be a good and lively encore.

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