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Thomas Mancinus (1550-1611/12): Duum vocum Cantiuncularum
 

26 pieces for 2 Renaissance-instruments (recorders, gambas, cornetti, dulcians, trombones), Helmstedt 1597, edited by Leopold Fendt. Mancinus was Kapellmeister of Braunschweig-Wolfenbüttel and paved the way for Praetorius. The 26 pieces for 2 parts are inventive and lyrical composed. Series Musica Speciosa

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Johann Michael Nicolai (1629-1685): 83. Sonata à 4 (Partiturbuch Ludwig)
 

for 2 violins, viola da gamba, bassoon & b. c., edited by Simon Steinkühler. An important quartet by the Stuttgart court composer, with daring chromaticism and a harmonic plunge into the flat keys. First edition. Series Collegium Musicum - Kölner Reihe Alter Musik

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Johann Christoph Pepusch (1667-1752): Sonata á 3 G-Dur
 

for recorder, violin & bassoon, edited by Jean-Pierre Boullet. This unusual instrumental combination can only be found in two works of the Baroque period: in the present sonata and in Vivaldi's chamber concerto in D major (P.198).

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Alessandro Poglietti (?-1683): Zwei Sonaten à 4 in D und G
 

two sonatas for 2 violins, diskant gamba, bass gamba (bassoon) & b. c., edited by Dr. Konrad Ruhland. Poglietti was one of the most important composers at the court of Vienna in the 17th century. First edition. Series Musica Speciosa

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Giovan Battista Riccio (16.-17. Jh.): Canzonen und Sonaten
 

The complete instrumental works of Il Terzo Libro delle divine lodi musicali (Venice, 1620) in three volumes, edited by Jolando Scarpa. The three volumes are suitable for recorders, cornetts, violins, viols, dulcians, and trombones. Complete edition Il Terzo libro: Volume I: Canzoni a una, Canzona a 3 voci (La Rubina) - Volume II: Canzoni a due voci (La Finetta, La Savoldi, Canzon in Ecco con il Tremolo La Pichi, La Rizza, La Grileta, Canzon con il Tremolo La Grimaneta) - Volume III: Canzoni a quattro voci (Canzon in Ecco con La Moceniga, La Zaneta, La Rosignola in Ecco, Sonata a 4)

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Johann Heinrich Schmelzer (~1620-1680): Harmonia a 5
 

for violin, 3 viols, bassoon & b. c., edited by Richard Gwilt. RG editions

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Bartolomeo de Selma e Salaverde (~1580-~1640): Fantasia 5 (1638)
 

from "Canzoni, Fantasie et Correnti" for violoncello (or dulcian) & b. c., edited by Vince Kelly, Urtext edition. CCBN Publications

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Matthias Spiegler (~15951631): Canzonen à 2 & à 3
 

for 1-2 cornetti (or violin/s), bassoon (or trombone/viola da gamba) & b. c. from "Olor Solymaeus, Nascenti Jesu" (Ravensburg 1631), edited by Dr. Konrad Ruhland. First edition in two volumes, Series Laudate Dominum in chordis et organo. Volume I contains two canzonas à 2 in A minor and D minor, volume II contains canzona à 3 in C major and capriccio à 3 in D minor.

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Vincenzo Albrici (1631-1696): Sonata à 5
 

for 2 trumpets, 2 violins, bassoon & b. c., edited by Henry Moderlak. Besides a through-bass setting, this volume includes also a piano score, which is also suitable for organ. This work on CD: "Musica Baltica", Musica Antiqua Köln, Direction: Reinhard Goebel (DG-Archiv Nr. 459619-2). Collection Monarca della Tromba - Musik der Fürstenhöfe

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