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for oboe d’amore, string instruments & b. c. (Durata: 15‘). New edition by Hans Peter Eisenmann. This work is only preserved as harpsichord concerto, but was arranged by Bach himself also for oboe d’amore. This edition is a reconstruction of the Bachian Urtext for oboe by Hans Peter Eisenmann. No notes were omitted. All parts which couldn’t accomplished by the oboe were transferred to the basso continuo. String set: 4-3-2-2-1. Please order additional parts separately.view first page >>
"Wo Gott der Herr nicht bei uns hält", "Kommt her zu mir spricht Gottes Sohn", "Was mein Gott will das gescheh allzeit", "Christ lag in Todesbanden" and "Wie schön leuchtet der Morgenstern" - transcribed for cor anglais (or other solo instruments) & organ by Hans Peter Eisenmann. 8 further solo parts are enclosed.view first page >>
for 2 oboes (or 2 recorders in C) from Douziéme Livre (1725), edited by Vince Kelly, Urtext edition. CCBN Publicationsview first page >>
Transcription for 5 alto recorders (or 5 voice flutes/5 transverse flutes/5 violins) or 4/5 instruments & b. c., edited by Vince Kelly. Originally for five transverse flutes (or other instruments!), this transcription adheres very closely to the Urtext. CCBN Publications view first page >>
six Consort-suites for 2 oboes, bassoon, strings & b. c. (Stuttgart 1700), edited as Urtext-edition by Michael Robertson. During his time as "Württembergischer Hofkapellmeister" in Stuttgart Cousser published three important collections of French dance music in the style of Lully. Series Collegium Musicum - Kölner Reihe Alter Musikview first page >>
Teaching material for experimentation in lessons, ensemble, and private study for all instruments, including play-along CDs (in 415 and 440 Hz). At long last, a method for improvisation in Renaissance and Baroque music that is recommended by leading musicians and teachers, including Michael Schneider and Maurice van Lishout. The book provides an excellent overview - and vividly conveys the paths to "freer" music making - that is helpful not only for specialists, but also for amateurs. German, 148 pagesview first page >>
for oboe, 2 violins, viola (or oboe, violin, 2 viols) & b. c., edited by Hans Bergmann. This overture with a oboe concertante and a very dense string part is a masterpiece of chamber music from southern Germany. First Edition.view first page >>
for oboe & piano (Durata: 4‘). This beautiful composition combines impressionistic colours with the dancing diction of some Hungarian folk songs. The piece is easy to practice and is good for beginners. Zoltán Gárdonyi is one of the most important students of Paul Hindemith and Zoltán Kodály.view first page >>
for oboe & organ (Durata: 7‘). The title alludes to the medieval term of a "second voice", which here is performed as a dialogue concertante of the oboe and the organ. Zsolt Gárdonyi, professor in Würzburg (Germany), designed the Duplum in two movements: the lyric entrance was followed by a bright dancing Rondo and both are reminiscences to pieces of his youth.view first page >>
for 2 oboes, bassoon (or 3 recorders) & b. c., arranged by Vince Kelly after the Chrysander-Edition for oboe, 2 violins & b. c. CCBN Publicationsview first page >>
