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sacred concerto for contralto, tenor, 4 string instruments (or 4 recorder) & b. c., edited by Dr. Konrad Ruhland. Precious music for Advent from the period before Bach. "Tröstet, tröstet mein Volk" is recorded by Masaaki Suzuki and the Bach-Orchestra Japan (Label BIS/Sweden). First edition. Christmas series Puer Natus in Bethlehemview first page >>
sacred concerto for soprano, contralto, tenor, 4 string instruments (or 4 recorders) & b. c., edited by Dr. Konrad Ruhland. Ahle worked in Mühlhausen/Thüringen and was one of the most important representatives of the so called "mitteldeutsche Cantorenmusik": "Seht Euch für" is a real rarity, because the voices are accompanied by a recorder ensemble (or "4 flauti o violin") which is very uncommon for non Christmas music at the time of Ahle. "Seht Euch für" is recorded by Masaaki Suzuki and the Bach-Orchestra Japan (Label BIS/Sweden). Series Musica Speciosaview first page >>
Cantata for soprano, recorder & b. c., after a manuscript of the Santini-Library in Münster, edited by Cedric Lee. This cantata is probably composed by Alessandro Scarlatti in an early stage of production. Green Man Pressview first page >>
Aria for contralto, recorder (or transverse flute) & b. c. from the Cantata "Himmelskönig, sei willkommen" BWV 182, edited by Cedric Lee. Green Man Pressview first page >>
"Resonet" sacred concert for alto (or tenor), tenor, 2 violins (or 2 recorders) & b. c., edited by Dr. Konrad Ruhland. First edition. Christmas series Puer Natus in Bethlehem (CD: SK 66242 Sony-Vivarte)view first page >>
Cantata for alto, 2 recorders & b. c., edited after a manuscript in the British Library by Cedric Lee. Green Man Pressview first page >>
Graduale for 4 recorders (or 4 voices), transcribed by Vince Kelly. It’s suitable for both: instrumental or vocal ensembles. CCBN Publicationsview first page >>
for soprano, bass, 3 recorders & b. c. from "Don Quixote", edited by Cedric Lee. Green Man Pressview first page >>
Cantata for contralto, recorder & b. c. and Sinfonia for recorder & b. c., after a manuscript of the Santini-Library in Munster, edited by Cedric Lee. Gerber studied in Italy and worked after 1703 in London as opera composer and later - after his return to Germany - in Innsbruck and Neuburg/Danube. Green Man Pressview first page >>
Cantata for alto [b' - d''] recorder, 2 violins & b. c., edited by Michael Hofmeister. Presumably composed in 1717 for the court of Neuburg on the Danube, this Italian cantata contains a virtuoso recorder part. Greber, who studied in Italy, was active after 1703 as an opera composer in London, and, following his return to the continent, in Innsbruck, Neuburg, and Heidelberg. Green Man Press view first page >>
