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Alessandro Scarlatti (1660-1725): Ardo, è ver, per te d’ Amore
 

Cantata for soprano, recorder & b. c., edited by Derek Harrison. Green Man Press

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Alessandro Scarlatti (1660-1725): Aria: Sconsolato Rusignolo
 

for soprano, recorder, violin, viola & b. c., edited by Cedric Lee. Green Man Press

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Alessandro Scarlatti (1660-1725): Bella Dama di Nome Santa
 

Cantata da Camera ("Tu sei quella") for contralto, recorder, 2 violins & b. c., edited by Derek Harrison. Green Man Press

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Alessandro Scarlatti (1660-1725): E perche non seguite o Pastorelle
 

Cantata and Sinfonia for contralto (or countertenor), 2 violins, 2 recorders & b. c., edited by Barbara Sachs. Green Man Press

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Alessandro Scarlatti (1660-1725): Filen, mio caro
 

Cantata "Filli, che esprime la sua fede a Fileno" for contralto, recorder, 2 violins & b. c., edited by Cedric Lee. Green Man Press

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Alessandro Scarlatti (1660-1725): Kantaten mit Blockflöten
 

Cantatas "Augellin, vago e canoro", "Filli, ti sai s’io t’amo" and "Mentre Clori la bella" for soprano, 2 recorders & b. c., edited by Barbara Sachs. Green Man Press

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Johann Staden (1581-1634): "Gloria in excelsis Deo"
 

for 2 sopranos, 4 string instruments (or 4 recorders) & b. c., edited by Dr. Konrad Ruhland. The Nuremberger composer wrote Christmas music, which is easy to practice. Christmas series Puer natus in Bethlehem

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Tomas Luis de Victoria (1548-1611): Motette "O Quam Gloriosum"
 

for 4 voices (or recorders or gambas) from "In Festo Omnium Sanctorum..." (1585), edited by Vince Kelly. This piece is admirable and suited for both: instrumental and vocal. CCBN Publications

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Copyright (c) by Edition Walhall, Verlag Franz Biersack, Magdeburg