Double bass


Bismantova, Bartolomeo: Compendio musicale 

Bismantova, Bartolomeo: Compendio musicale 

Product.Nr.: SI001

Libro principale (Regole per il canto figurato, ... per il canto fermo, ... del contrapunto, ... per suonare il basso continuo, ... per suonare il flauto italiano, ... per suonare il cornetto, ... per accordare e suonare il violino, ... per suonare il contrabasso o violone grande, ... per suonare il violoncello da spalla, ... Regola perfetta per accordare organi o cembali), Ferrara 1677, Facsimile, Remnants! SPES

24,80 EUR

excl. shipping costs

Buxtehude, Dieterich (1637-1707): Sonata D major BuxWV 267'

Buxtehude, Dieterich (1637-1707): Sonata D major BuxWV 267'

Product.Nr.: G127

for viola da gamba, Violone (or 2 viols da gamba) & b. c., edited by Günter and Leonore von Zadow. The Violone is an 8-foot instrument which means that it should sound as it is notated and not an octave lower. Edition Güntersberg

17,50 EUR

incl. 7 % VAT excl. shipping costs

Debussy, Claude (1862–1918): Arabeske I  

Debussy, Claude (1862–1918): Arabeske I  

Product.Nr.: EW1084

arranged for double bass and marimbaphon by Andreas Winkler. Although the bass and the marimba part are sometimes 3 octaves apart, the sound mixes in a unity as in the original for piano.

11,50 EUR

excl. shipping costs

Eccles, Henry (*1675-85, #1735-45): Sonata XI G minor

Eccles, Henry (*1675-85, #1735-45): Sonata XI G minor

Product.Nr.: EW787

transcription for double bass & b. c. (orchestra and solo intonation), edited by Sven Rössel. Urtext edition with facsimile. Series Collegium Musicum - Kölner Reihe Alter Musik 

15,50 EUR

incl. 7 % VAT excl. shipping costs

Erhardt, Martin (*1983): Improvisation mit Ostinatobässen (16.-18. Jh.)

Erhardt, Martin (*1983): Improvisation mit Ostinatobässen (16.-18. Jh.)

Product.Nr.: EW821

Teaching material for experimentation in lessons, ensemble, and private study for all instruments

2 play-along CDs (in 415 and 440 Hz)
148 pages, German

An english translation (EW 905) by Milo Machover is also available.


At long last, a method for improvisation in Renaissance and Baroque music that is recommended by leading musicians and teachers, including Michael Schneider and Maurice van Lishout. The book provides an excellent overview - and vividly conveys the paths to "freer" music making - that is helpful not only for specialists, but also for amateurs.

„This is a useful book, rather more thorough than the usual instruction.“ EARLY MUSIC REVIEW (GB), 10/201413

„Auf den ersten Blick scheint Martin Erhardts gerade erschienenes Buch ähnlichen Inhalts [50 Baroque Standards, Fuzeau] zu sein. Doch stellt sich bald heraus, dass der Autor ... in vieler Hinsicht weit über die Veröffentlichung von Boquet und Rébours hinausgeht ... Das Buch ist ein Geschenk für alle, die Alte Musik machen, ein ‚must have’ für jeden, der Musiksprachen der Vergangenheit auch unabhängig von gedruckten Notentexten ‚sprechen’ lernen will.“ Prof. Michael Schneider in TIBIA, 1/2012

„Eine hervorragende Idee ist die beiliegende Mitspiel-CD, auf der .... Beispiele für die besprochenen Bassmodelle eingespielt sind, über denen der improvisationsfreudige Instrumentalist sein Können erproben kann. Na, dann los!“ DAS ORCHESTER, 2/2012

29,80 EUR

incl. 7 % VAT excl. shipping costs

Frauendorf, Heiner (*1972): Saulocker

Frauendorf, Heiner (*1972): Saulocker

Product.Nr.: EW1026

after a Bavarian folk song, for violoncello & double bass, edited by Karsten Lauke. In its present form, this composition originated in 2007. It is quite challenging in terms of the technical skills it demands from the musicians, but their efforts will be rewarded by a feeling of immense joy.

 

„Die Besonderheit seines Werkes liegt weniger in der kenntnisreichen Satzweise, die auf ein optimales Klangergebnis hin angelegt ist, als in der Einlage komischer Elemente. Diese treten immer wieder als theatrale Aktionen zur kompositorischen Behandlung des Tanzgerüstes hinzu und tragen zur Ausprägung einer visuellen Ebene bei, die als ironischer Kommentar zum musikalischen Geschehen verstanden werden kann. Gerade dadurch wird „Saulocker“ zu einem augenzwinkernden Zugabestück.“ DAS ORCHESTER, 4/2018

12,80 EUR

excl. shipping costs

Frauendorf, Heiner (*1972): Umdreh’n Orpheus!

Frauendorf, Heiner (*1972): Umdreh’n Orpheus!

Product.Nr.: EW1090

for marimbaphon and double bass, edited by Karsten Lauke.

12,80 EUR

excl. shipping costs

Gárdonyi, Zoltán (1906-1986): Sonate "Il serioso ed il giocoso"

Gárdonyi, Zoltán (1906-1986): Sonate "Il serioso ed il giocoso"

Product.Nr.: EW132

for double bass & piano (Durata: 12’). Zoltán Gárdonyi was professor from 1941-1967 at the Budapest Academie of Music and former student of Paul Hindemith and Zoltán Kodály. The piece was composed in 1957 - beautiful late romantic music.

13,50 EUR

incl. 7 % VAT excl. shipping costs

Lupo, Thomas (1571-1627): Fantasia

Lupo, Thomas (1571-1627): Fantasia

Product.Nr.: CC17002

edited for 3 instruments (or 3 bass-instruments) by Vince Kelly. CCBN Publications

"Natürlich rechnet das Stück mit dem Violen-Umfang, aber es spielt sich und klingt auf drei Bassblockflöten hervorragend!“ TIBIA 4/2006

12,00 EUR

incl. 7 % VAT excl. shipping costs

Marcello, Benedetto (1686–1739): Six Sonatas

Marcello, Benedetto (1686–1739): Six Sonatas

Product.Nr.: EW1007

for violoncello (double bass) & b. c., edited as Urtext edition by Andrew Kohn. These very popular cello sonatas, which are also often played on the double bass, are published for the first time as critical edition. The publisher examines the dubious source situation and looks at the doubts about the authorship of Marcello. The main source of this edition is the Witvogel edition of 1732. Series Collegium Musicum – Kölner Reihe Alter Musik

19,80 EUR

excl. shipping costs

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