1 Violoncello

Abel, Carl Friedrich (1732-1787): Six Sonatas op. 9

for violin, violoncello (or viola da gamba) & b. c. WKO 86-91, edited by Leonore and Günter von Zadow with an introduction by Peter Holman. Charming works in the gallant style, which all make use of the bipartite form that was popular at that time in London for light chamber music. Edition Güntersberg

19,80 EUR

incl. 7 % VAT excl. shipping costs

Abel, Carl Friedrich (1732-1787): Zwei Berliner Sonaten für Violoncello und Bass

Two Sonatas from Berlin for violoncello and basso. Sonata I in G major, WKO 147 and Sonata II in A major, WKO 148. Edition Güntersberg

15,50 EUR

incl. 7 % VAT excl. shipping costs

Abel, Carl Friedrich (1732–1787): Die 2. Pembroke-Sammlung
– Vier Duette für Viola da Gamba und Violoncello (Original edition)

for viola da gamba & b.c. and viola da gamba & violoncello from the Kulukundis collection, edited by Thomas Fritzsch. The Second Pembroke Collection consists of four duets and ten sonatas for viola da gamba and Bc that were written for the Countess of Pembroke. To distinguish it from the Pembroke Collection, which has been known for a long time, the manuscript collection British Library Add. MSS 31697 has been designated by the editor as the Second Pembroke Collection. In contrast to the first collection, it contains demanding works that presumably stem from Abel’s late period. Edition Güntersberg

• Solo Sonatas 3–7: G253
• Solo Sonatas 8–10 & 13–14: G254
• NEW: Vier Duette für Viola da Gamba und Violoncello (Original edition): G250
• Transcription for 2 Gambas: G251
• Transcription for 2 Violoncellos: G252

17,50 EUR

excl. shipping costs

Bach, Carl Philipp Emanuel (1714–1788): Concert for Violoncello A Major Wq 172

for violoncello solo, 2 violins, viola & b.c., edited by Markus Möllenbeck, piano reduction by Ulrich Lüdering. This outstanding concerto (duration: 20’), which marks a high point in Bach’s sensitive style, was composed in Berlin in 1753 and has enjoyed great popularity in recent years also among modern cellists. The editor presents for the first time a new critical edition based on the sources in Brussels and Stockholm. Set of string parts (3-2-1-1-1 figured).Series Il Violoncello concertato

• Score (56 p.) ... 
• Set of parts (3-2-1-1-1 figured) EW490 ...
  
• Additional parts EW 490a ... 
  Piano reduction EW812 ...
  

29,80 EUR

excl. shipping costs

Bach, W. Fr. E. (1759–1845): Sonata a Tre – Trio G Major

for 2 flutes and viola (violoncello), edited by Adrian Wehlte. It is impossible to determine beyond doubt who authored this piece of chamber music from the holdings of the Berlin Singakademie. Presumably, it was composed by Wilhelm Friedrich Ernst Bach (1759–1845) or Johann Christoph Friedrich Bach (1732–1795), the "Bückeburg Bach". At any rate, a nice gain for one’s repertoire. Series Collegium Musicum – Kölner Reihe Alter Musik

„Das Stück hat es verdient aufgeführt zu werden, nicht nur wegen der ungewöhnlichen, aber gut klingenden Besetzung, sondern vor allem wegen seiner musikalischen Qualitäten. Satztechnisch entspricht es einer Triosonate für Oberstimmen mit Bass.“ Prof. Dr. Peter Thalheimer, TIBIA, 1/2018

16,80 EUR

excl. shipping costs

Barrière, Jean-Baptiste (1707 -1747): Sonates
Livre II

for violoncello & b. c., Livres II and IV, facsimiles of the first printing  Shumilov-Facsimile-Collection (Russia/ Schweden). Livre I is edited by Editions Fuzeau also as facsimile (Order number: 2248).

18,00 EUR

incl. 7 % VAT excl. shipping costs

Barrière, Jean-Baptiste (1707 -1747): Sonates
Livre IV

for violoncello & b. c., Livres II and IV, facsimiles of the first printing  Shumilov-Facsimile-Collection (Russia/ Schweden). Livre I is edited by Editions Fuzeau also as facsimile (Order number: 2248).

18,00 EUR

incl. 7 % VAT excl. shipping costs

Benda, Franz (1709–1786): Sonata D Major

for violoncello & b. c., edited as first edition by Markus Möllenbeck. This piece in three movements is a contemporary transcription of a violin sonata that may have been written by Benda himself. In the time between 1733 and 1759, Benda, Graun, Schaffrath, and Zarth presented four compositions that came to be known as “Berliner Cellosonaten” (Berlin cello sonatas) – all of these, except for Schaffrath’s sonata, have never been published before. Series Il Violoncello solo

13,80 EUR

excl. shipping costs

Bismantova, Bartolomeo: Compendio musicale 

Libro principale (Regole per il canto figurato, ... per il canto fermo, ... del contrapunto, ... per suonare il basso continuo, ... per suonare il flauto italiano, ... per suonare il cornetto, ... per accordare e suonare il violino, ... per suonare il contrabasso o violone grande, ... per suonare il violoncello da spalla, ... Regola perfetta per accordare organi o cembali), Ferrara 1677, Facsimile, Remnants! SPES

24,80 EUR

excl. shipping costs

Boccherini, Luigi (1743–1805): Concerto do maggiore Ger B 475

for violoncello, 2 horns, & strings, edited by Alessandro Bares. Musedita

• Score and parts (each 1 x): BO4475
• Piano reduction with solo part: BO4475P

26,50 EUR

excl. shipping costs